5 de March de 2026

ITF Union Student Instructor Relationship

ITF Union – Student / Instructor Relationship
International Taekwon-Do Federation Union

Reflections on responsibilities, mutual respect and healthy boundaries between ITF instructors and students.

Responsibilities • Respect • Integrity

Teaching as a Shared Journey

Continuous improvement for both instructor and student

There are many instructors of Tae Kwon Do and other Martial Arts. Some are excellent and some are truly incompetent. Most are probably on middle ground. Teaching should be a journey of continuous improvement and learning on the part of the instructor, as well as for the student. When we decide to become teachers, we are volunteering to take on some serious responsibilities.

Many instructors do not seem to realize the full extent of their impact on the student, for good or bad. On the other hand there are students who do not understand where the teacher’s responsibilities end and their own begin. In hopes of maximizing the positives in both the teaching and learning process, this article is a discussion of some basic principles concerning the student/instructor relationship as it pertains to teaching in general.

Teaching is, at its core, an act of sharing. Both sides have rights and responsibilities that must be understood and respected.

Responsibilities of ITF Instructors

What teachers owe to their students and to the art

ITF instructors owe their students everything they have to give

When a student comes to a specific instructor, she/he might be there to learn what some teachers call “secret” or “signature” techniques. An instructor should not hold back any information of their art. If anyone does not want to share their experience and knowledge, then they should not take on the task of teaching, because sharing is what teaching is on its most fundamental level.

ITF instructors owe something to the art

In the process of teaching, we must strive to maintain the integrity of the ART that we are passing on to our students. It is our job to teach right movement, give cultural definition to concepts of essence, and share historical and cultural context.

Responsibilities of ITF Students

Where loyalty should truly be placed

Focus on becoming the best practitioner possible

Students owe no loyalty to an instructor beyond upholding the integrity of what they have been taught. Students have the right to study with whomever they choose without hostility or pressure.

Respect for the class environment

Students should not interrupt the flow of class to show techniques learned elsewhere. They are present to learn the material the instructor is teaching.

Individual Attention & Questions

Supporting each student’s learning path

A student of ITF is a single entity

Students have the right to expect reasonable individual attention. The instructor’s role is not only to demonstrate technique, but to help each student understand and apply it.

A student has the right to ask questions

Students must feel comfortable asking questions. Instructors should answer respectfully and honestly— even if the correct answer sometimes is: “I don’t know.”

Performance, Growth & Professional Boundaries

Promoting development with integrity

Students who wish to perform or compete

Instructors should support students who want to perform or compete, helping them choose appropriate tournaments and encouraging them to attend seminars with senior instructors.

Instructors must avoid competing with their own students or holding them back. Students should respect their instructor’s guidance and wait until they are fully ready to perform in public.

Professional boundaries

Personal friendships between instructor and student often lead to favoritism and disrupt classroom discipline. Maintaining professional boundaries is essential.

Towards a Healthy Relationship

These principles help both students and instructors understand what to expect in a healthy relationship. They promote mutual respect, dedication to the art, and reduce confusion at the political level.

Article by A’isha Azar, 1989